ARTURIAN SERIES

PAINTS

• This series brings together portraits of women that explore the relationship between the human figure, fashion, and symbols of both sea and land. Each work presents a woman wearing a seashell headdress, a red hat, or a sheer veil—elements transformed into sculptural forms that engage in a dialogue with the subject's face, attire, and demeanor. The compositions unfold using a palette of pinks, deep reds, powdery hues, ivories, terracottas, and pearlescent tones, featuring a textured surface that adds depth and a delicately aged appearance.
• In this series, the subjects' serene gazes contrast with the commanding presence of the details, while gold accents and reddish clothing underscore their refined air.
• Collectively, the paintings in this series offer an elegant and evocative vision of portraiture.
• There are gazes that linger, even when the face remains hidden.
• I wanted the works to reveal themselves gradually, without disclosing everything at first glance.
• Among them is *Red Hat Portrait*, a figure seen from a concealed angle, her face obscured by a deep red hat. A hand raised toward the cheek introduces a delicate, almost suspended gesture, while muted pinks, ochres, grays, and earth tones create a weathered, silent setting. I chose this image for the tension between concealment and presence: we do not see her eyes, yet her body and posture maintain an open dialogue with the viewer. It is one of the early works in which I introduced the Egg as a surrealist motif—a theme I have since developed extensively.
• The collection continues with scenes such as *Floating Shell*, *Veiled Contemplation*, *Coral Headdress Portrait*, and *Arturian Swan*, in which the figure is accompanied by marine symbols, veils, and forms that border on the dreamlike.